Chang ‘an Three Wan Li： What information does Chang ‘an reveal under the moon in the egg？

Special feature of 1905 film network An egg appeared at the end of the story, which read, "One is to move a guest to Changsha, and the other is to look at Chang ‘an and not see home. Yu Di blows in the Yellow Crane Tower, and plum blossoms fall in Jiangcheng in May. " In the poem, we saw Chang’ an city by the water. This egg reveals the new work of light-chasing animation, which is the only preview of the film at present.

The new work is directed by and co-directed, and there is not much information released at present. This program invited Peng Min, deputy director of the editorial department of Poetry Magazine of Chinese Writers Association, to watch Three Wan Li in Chang ‘an through such a short picture.

The poem that appears in the egg is Li Bai’s "Listening to the flute on the Yellow Crane Tower with Shi Lang Zhongqin". From the poem, we can imagine Li Bai’s emotional state when writing this poem. The Yellow Crane Tower bears too many memories of Li Bai, high spirits when he was young, and vicissitudes of life when he was in his twilight years. These two very different life experiences are revealed in a farewell to meng haoran on his way to yangzhou of the Yellow Crane Tower and this song "Playing the flute on the Yellow Crane Tower with Shi Lang Zhongqin" respectively.

@ Peng Min:When he was young, he once married in Anlu, Hubei Province. He took Hubei as his base, and then he has been roaming around for about ten years. So this place (Yellow Crane Tower) can be said to be a very powerful witness of Li Bai’s youth. But when he passed the Yellow Crane Tower again in his later years, and wrote the song "Yu Di plays in the Yellow Crane Tower, plum blossoms fall in Jiangcheng in May" that we just mentioned, he was already dying. Moreover, he has just experienced the most important blow in his life, pursued his dream for half a life, and was finally trampled on in the dust by this madness. You can imagine how depressed his mood is.

From the poem with the appearance of the egg and the synopsis of the story released after the project was put on record, we can easily guess that "Three Wan Li in Chang ‘an" will tell the story of Li Bai’s life. Li Bai, who was at the peak of his life at that time, said, "Going out laughing in the sky, are we Artemisia people?" Then I went to give money back and live in rivers and lakes. When I was down and out, I met Du Fu and Gao Shi, and the three of them traveled together and sang songs. Then Li Bai completely entered the bottom of his life in the Anshi rebellion; Finally, he caught the moon and died, ending the legendary life.

The reflection of the moon and the water in the picture of Three Wan Li in Chang ‘an may reveal the end of Li Bai’s death by catching the moon. The moon is a very core image in Tang poetry and Li Bai’s personal works. The end of Li Bai’s death by catching the moon raised his life to a very beautiful artistic realm.

Three Wan Li in Chang ‘an is the brand-new track debut of the light-chasing animation "New Culture Series", which is different from the previous "New Legend Series" () and "New Myth Series" ("New God List: Yang Jian") focusing on China mythological figures. This time, it focuses on real historical figures. Before the mythical characters, the role itself left more room for adaptation. As a well-known historical figure, Li Bai’s personal design and personality are very certain, so he must be close to Li Bai’s real personal design and personality color and the historical reality at that time.

At present, we haven’t seen the image of Li Bai in Three Wan Li in Chang ‘an. The audience should also be very curious about what kind of image Li Bai will be depicted in this light-chasing animation. In The New God List: Yang Jian, we saw the most handsome Yang Jian. What expectations does Peng Min have for the image of Li Bai?

@ Peng Min:According to a description of Li Bai by people at that time, he was a hungry tiger with wide eyes, that is, his eyes were very bright, even like a hungry tiger for a long time. Therefore, as you can imagine, his image should have some sharpness and some bareness. Then the image of Li Bai, he can be handsome, but it must not be the handsome of a creamy little boy, and it is better to be the handsome of a tough guy.

Li Bai, as a symbol of the great spirit of the prosperous Tang Dynasty, we very much expect that the light-chasing animation can pour the brightest and most prosperous imagination of the prosperous Tang Dynasty into this new work. Through Li Bai’s life, to present the context and spirit of an era. To present this era, in addition to relying on Li Bai, many literati and military commanders at that time may appear one after another. Famous poets Du Fu and Wang Wei, and famous patriotic generals Guo Ziyi and Li Guangbi. We also look forward to the appearance of female characters, such as Yang Yuhuan, one of the "four beauties". In addition, the origin of "Nian Nu Jiao" in the epigraph is a famous singer in the Tang Dynasty. Perhaps we can see her beautiful image in the film.

Li Bai is a very special existence for China people. He used his life, but also his poems to closely bind the future of the country and the future of the nation. He burned to the last moment, even if it spans thousands of years, today, it still has a particularly dazzling brilliance. We look forward to seeing Li Bai’s romance and talent on the big screen.